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Table of Contents
About The Book
An anthology of funny, poignant, and entertaining cartoons, biographical sketches, and social history all in one, VeryFunny Ladies offers a unique slant on 20th-century and early 21st-century America through the humorous perspectives of the talented women who have captured in pictures and captions many of the key social issues of their time. As someone who understands firsthand the cartoonist’s art, Donnelly is in a position to offer distinctive insights on the creative process, the relationships between artists and editors, what it means to be a female cartoonist, and the personalities of the other New Yorker women cartoonists, whom she has known over the years.
Very Funny Ladies reveals never-before-published material from The New Yorker archives, including correspondence from Harold Ross, Katharine White, and many others. This book is history of the women of the past who drew cartoons and a celebration of the recent explosion of new talent from cartoonists who are women. Donnelly interviewed many of the living female cartoonists and some of their male counterparts: Roz Chast, Liana Finck, Amy Hwang, Victoria Roberts, Sam Gross, Lee Lorenz, Michael Maslin, Frank Modell, Bob Weber, as well as editors and writers such as David Remnick, Roger Angell, Lee Lorenz, Harriet Walden (legendary editor Harold Ross’s secretary). The New Yorker Senior Editor David Remnick and Cartoon Editor Emma Allen contributed an insightful foreword.
Combining a wealth of information with an engaging and charming narrative, plus more than seventy cartoons, along with photographs and self-portraits of the cartoonists, Very Funny Ladies beautifully portrays the art and contributions of the brilliant female cartoonists in America’s greatest magazine.
Product Details
- Publisher: Prometheus (March 1, 2022)
- Length: 256 pages
- ISBN13: 9781633886872
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Raves and Reviews
NetGalley Review: 4 stars
Last updated on 01 Oct 2021
"The discussion of the pre-war years are as much of a capsule history of US society as a history of cartoonists featured in The New Yorker. It's also as much of a history of the magazine itself and an exploration of the creative process, too. It was fascinating to get to know the women who drew for The New Yorker--I loved the pictures of both the artists and their unpublished work.
There are definitely depressing realities to confront. It wasn't until 2017 that a magazine featured more female artists than males. And, from 1956 to 1974, not a single new woman's work was published. These circumstances make the work of these pioneering women even more worthy of close study and I'm glad to have learned their stories.
Many thanks to the publisher and NetGalley for the opportunity to read and review!"—L Gage, educator at BookWorks
“Everything Liza Donnelly does is insightful, sharp, and, above all, funny. Here she takes all her brilliance and shines it on an important piece of overlooked history: The women cartoonists who paved the way for her at The New Yorker. It’s wonderful.” Susan Orlean, Best Selling Author of the Orchid Thief and The New Yorker Columnist
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