Artists & Authors

A Life in Good Company

Published by Lyons Press
Distributed by Simon & Schuster

About The Book

Join a literary insider for a behind-the-scenes tour of art heists, opera icons, and the golden age of publishing.

From the author of Scribners: Five Generations in Publishing comes this new collection of personal essays reflecting on the past fifty years of his pursuits and passions in literature, art, and music. Beginning with a memoir of his father’s tutelage through letters to a young son away at school, it moves along to his “dual professions” on parallel tracks—book publishing and art history.

Behind-the-scenes stories of famous Scribner authors F. Scott Fitzgerald, Ernest Hemingway, and Thomas Wolfe give way to the section on Scribner’s forte, the art of the Baroque masters: a murderous Caravaggio and the two tycoons Rubens and Bernini.

From his role in a sting operation to recover a stolen Rubens painting on Miami Beach to his personal profiles of three luminous sopranos—Dame Elisabeth Schwarzkopf, Frederica von Stade, and Mary Costa—Scribner shares a fascinating peek into the life and loves of a Renaissance man.

About The Author

Product Details

  • Publisher: Lyons Press (February 10, 2026)
  • Length: 200 pages
  • ISBN13: 9781493093762

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Raves and Reviews

“For me, Artists & Authors is a magnificent bouquet of colorful gems that will never fade.”

– Mary Costa, voice of Disney’s Sleeping Beauty

“The charming and illuminating essays collected here could have been penned by none other, ranging from the correspondence of ‘Dad’ (Charles Scribner Jr.) and ‘Papa’ (Hemingway), to conversations with the immortal soprano Elisabeth Schwarzkopf, to the author’s involvement in an undercover operation to recover a stolen Rubens, and more. A life in good company, indeed.”

– Robert Erickson, The New Criterion

“The scion of a famous publishing family and a Princeton educated art historian, Charles Scribner III, provides a fascinating look at the lives and works of F. Scott Fitzgerald, Ernest Hemingway, Thomas Wolfe, Caravaggio, Rubens, and Bernini. Along the way, he also provides shrewd commentary on biography as practiced by certain academics who reveal a profound ignorance about the way publishers and their authors interact, and on the academy itself, which, until fairly recently, has done little to foster a full understanding how writers’ lives are shaped by the business of publishing . . . The biographies of artists and authors have a way of melding together in Mr. Scribner’s ‘life in good company’.”

– Carl Rollyson, The New York Sun

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