A Washington Post Style editor’s fascinating and irresistible look back on the Miss America pageant as it approaches its 100th anniversary.
The sash. The tears. The glittering crown. And of course, that soaring song. For all of its pomp and kitsch, the Miss America pageant is indelibly written into the American story of the past century. From its giddy origins as a summer’s-end tourist draw in Prohibition-era Atlantic City, it blossomed into a televised extravaganza that drew tens of millions of viewers in its heyday and was once considered the highest honor that a young woman could achieve.
For two years, Washington Post reporter and editor Amy Argetsinger visited pageants and interviewed former winners and contestants to unveil the hidden world of this iconic institution. There She Was spotlights how the pageant survived decades of social and cultural change, collided with a women’s liberation movement that sought to abolish it, and redefined itself alongside evolving ideas about feminism.
For its superstars—Phyllis George, Vanessa Williams, Gretchen Carlson—and for those who never became household names, Miss America was a platform for women to exercise their ambitions and learn brutal lessons about the culture of fame. Spirited and revelatory, There She Was charts the evolution of the American woman, from the Miss America catapulted into advocacy after she was exposed as a survivor of domestic violence to the one who used her crown to launch a congressional campaign; from a 1930s winner who ran away on the night of her crowning to a present-day rock guitarist carving out her place in this world. Argetsinger dissects the scandals and financial turmoil that have repeatedly threatened to kill the pageant—and highlights the unexpected sisterhood of Miss Americas fighting to keep it alive.
Amy Argetsinger is an editor for TheWashington Post’sStyle section. A staff writer since 1995, she covered a variety of news beats and went on to write the Reliable Source column for eight years. She lives in Washington, DC, with her husband and daughter. You can follow her on Twitter @AmyArgetsinger.
“For readers of Denise Kiernan, Liza Mundy, Karen Abbott, and Rebecca Traister, longtime Washington Post Style Section editor Amy Argetsinger tells the story of the glamour, drama, and cultural significance of the 100-year-old Miss America Pageant. At its heyday, Miss America was the highest rated program on TV. It was viewed nationwide by over 70 million people each year. It jumpstarted the careers of celebrities including Gretchen Carlson, Vanessa Williams, and Phyllis George, and was considered one of the highest honors a young woman could achieve. Now, as the pageant reaches its centennial and returns to its birthplace in Atlantic City, There She Was traces the history of Miss America from informal beauty contest to television sensation to present. Amy has attended the pageant several times, and has spent hundreds of hours with former contestants who are excited to have their stories be told. The book will include a gorgeous photo insert and reach a multi-generational audience from the octogenarians who followed the pageant like it was the Super Bowl to today’s young women who now use Instagram as a stage.”
—Julia C., VP, Publisher, on There She Was
Publisher: Atria/One Signal Publishers (November 4, 2021)
Length: 384 pages
"In this wildly entertaining journey into an American institution we see how beauty is quantified and calibrated. Surprisingly, some of the biggest disrupters, the people who want the crown to be about more than superficial beauty, are at the very heart of the country's most celebrated beauty pageant. I couldn't put this book down." —Kate Andersen Brower, CNN contributor and #1 New York Times bestselling author of The Residence, First Women and, most recently, Team of Five
"Assiduously researched and beautifully written, There She Was explores the pageant's history, its small-town roots and its glamorous allure with engaging reporting, wry humor and affection. In Argetsinger's capable hands, this is ultimately the story of women in this country." —Robin Givhan, Pulitzer Prizewinning critic, Washington Post senior critic-at-large, and author of The Battle of Versailles
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